View the faculty gallery here. Lynn has many works in public and private collections. She also has a line of fine art jewelry made from recycled materials in the Art Institute Modern Wing Shop. He teaches watercolor at the American Academy of Art.
Fees and Funding Course Overview Taught by academic staff who are themselves practising artists, historians and theorists, you will be able to study the Fine Art disciplines separately or through interdisciplinary practice.
Our aim from the beginning of your course is for you to become an informed Fine Art practitioner with clear creative aspirations and ambition. You will achieve this through the integration of studio-based practice and the study of both art theory and history.
In your second year, you will take the core modules Studio Practice and Critical Reflections contemporary arts theoryand modules in Professional Practice or Digital Media will also be an option.
Your third year similarly balances academic and practical study including Studio Practice, Professional Practice, and Dissertation. In addition to these modules two vocationally orientated modules, LICA Work Placement and Creative Enterprise, are available in your second and final years.
Our aim is for you to develop the practice and ideas that best reflect your aims and values as a young Fine Artist. Your tutors will be professional artists and publishing historians and the mix of academic and creative skills gained at Lancaster makes you highly attractive for postgraduate study and employers.
Getting seen is crucial for those who want to pursue careers in Fine Art.
With this in mind, our degree programme ends with both a solo and group show for each student. For other English language qualifications we accept, please see our English language requirements webpages. Portfolio Applicants will typically be required to submit a portfolio before being made an offer.
The department will contact applicants to request the portfolio. The portfolio should include imaginative, expressive and analytical work as well as objective drawing.
We welcome applications for this degree from students who have or are in progress of completing a Level 3 Art Foundation Course. These applications will be considered on a case by case basis and we would expect the applicant to have also achieved two grade B A levels.
We welcome applications from students with a range of alternative UK and international qualifications, including combinations of qualification.
Further guidance on admission to the University, including other qualifications that we accept, frequently asked questions and information on applying, can be found on our general admissions webpages.
You will be able to study a range of modules, some examples of which are listed below. Year 1 Fine Art Practice This module seeks to establish fundamental Fine Art practices and principles and initiate development of critical understanding of basic concepts, approaches, possibilities and ways of working.
The module enables students to engage with the practical disciplines of Painting, Sculpture, Digital Art, Drawing and inter-media practices that combine two or more disciplines. This creative work alongside academic work in LICA initiates training as an 'informed practitioner'.
This practical course combines technical skills with different approaches to the disciplines as appropriate to developing individual interests as a practitioner of fine art. The teaching and learning systems for this course are designed to expose the student to ways of working and thinking as a practitioner; to thinking visually.
The Arts and Culture in Modernity LICA examines the ideas and events underlying the revolutions in the arts which began about the end of the nineteenth century and continued throughout the twentieth. These are still the focus of frequent debate, and have a powerful influence on the arts today. Seminal works and thinkers in art, design, film and theatre will be examined, with particular emphasis on ideas of cross-over and integration between different art forms.
Consideration is given to both 'high art' and the popular. You will acquire an understanding of modernism in the arts, enabling a richer appreciation of recent art works and of the context for contemporary arts practices.
For LICA students, this course will sit alongside a module in your particular discipline as a general introduction to study of the contemporary arts. It will emphasise the common background for the developments in Art, Design, Film and Theatre through the 20th century which so profoundly affect our culture today, enabling you both to better understand your particular discipline, and to take certain courses in other disciplines within LICA in your second and third years to broaden your studies, if you wish.
Year 2 Critical Reflections This course provides an introduction to critical theory in the arts and its application to aesthetics and art.
The first term concentrates on 'structures' in artworks and the second on 'identities'. The structure of the course is six three-week blocks:Critical thinking and research improve patient care in general practice. Research evidence is the fundamental way in which routine clinical practice is improved.
Critical thinking and reflection are essential precursors for the incorporation of research evidence into practice.
Scholarly Activities. As a recent fellow in interdisciplinary art at the MacDowell Colony, Amy worked on a project that offers critical revisions of Cathy Guisewite’s Cathy comic series in drawing, text, and sound.
The Associated Press delivers in-depth coverage on today's Big Story including top stories, international, politics, lifestyle, business, entertainment, and more. What is pathology?
Pathology is the study of disease. It is the bridge between science and medicine. It underpins every aspect of patient care, from diagnostic testing and treatment advice to using cutting-edge genetic technologies and preventing disease. Müge Arseven Ancient Greek, Anatolian, and Near Eastern Art and Architecture.
Müge entered the Ph.D. program in as a Fulbright scholar and is primarily interested in the ancient art and architecture of Greece, Anatolia, and the Near East. Azadeh Fatehrad, Royal College of Art, Fine Art Photography Department, Department Member.
Studies Photography Theory, History of photography, and Fine Art Photography. Dr. Azadeh Fatehrad is an artist and curator based at the Royal College of Art.